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		<title>Line by Line Editing Basics</title>
		<link>http://cliches.com/line-by-line-editing-basics/24/</link>
		<comments>http://cliches.com/line-by-line-editing-basics/24/#comments</comments>
		<pubDate>Tue, 08 Dec 2009 23:14:32 +0000</pubDate>
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				<category><![CDATA[cliche sentences]]></category>
		<category><![CDATA[Basics]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Line]]></category>

		<guid isPermaLink="false">http://cliches.com/line-by-line-editing-basics/24/</guid>
		<description><![CDATA[Line by line editing is the evaluation of each sentence. This type of editing occurs after the story is written, when the plot is set and the story/article has a beginning, middle and end. Line by line editing is about language and the words used. Below you’ll find an example of how I line-by-line edited. Reasoning [...]]]></description>
			<content:encoded><![CDATA[<p>Line by line editing is the evaluation of each sentence. This type of editing occurs after the story is written, when the plot is set and the story/article has a beginning, middle and end. Line by line editing is about language and the words used. Below you’ll find an example of how I line-by-line edited. Reasoning follows.</p>
<p>Before line by line: I’m standing before you, a decidedly middle-aged woman, round, doughy and blinking through smudged glasses. It’s six p.m. We are in a VFW Post drinking bitter coffee from Styrofoam cups. I look worried and I am. It’s my turn to disclose. All eyes, expectant, are on me. I clear my throat, swallow and say, “My name is Linda . . .” I pause, unsure if I should proceed.  What will you think? That I’m a fool, a loser? I want to run, but I’ve come this far. Instead, I steady myself and blurt out the words, “. . . and I’m self-published.”</p>
<p>After line by line: Before you I stand,(1) a decidedly middle-aged woman, round, doughy and blinking through smudged glasses. It’s six p.m. We’re(2) in a VFW Post drinking bitter coffee from Styrofoam cups. I’m worried.(3) It’s my turn to disclose. All eyes, expectant, are on me. I clear my throat, swallow, then(4) say, “My name is Linda — ”(5) I stop cold.(6)  What will you think? That I’m a fool, a loser? I want to run, but I’ve come this far. My confession tumbles out.(7)  “And I’m self-published.” (8)</p>
<p> </p>
<p>Reasoning:</p>
<p> </p>
<p>1. In the first sentence, a decidedly middle-aged woman, follows the word you. One could assume then that you are a decidedly middle-aged woman. To correct this, I rearranged the starting prepositional phrase so that the qualifying phrase is clearly about me.</p>
<p> </p>
<p>2. We are changed to We’re. A conversation style sets an intimate tone.</p>
<p> </p>
<p>3. I look worried and I am changed to I’m worried. First person faux pas. How can I look at myself without a mirror?</p>
<p> </p>
<p>4. and changed to then. Clearer progression. Less simultaneous action.</p>
<p> </p>
<p>5. “My name is Linda . . .” changed to “My name is Linda —” Ellipsis denote a trailing off, an em-dash an abrupt interruption. I made this change after I made a change in the following sentence.</p>
<p> </p>
<p>6. I pause, unsure if I should proceed, changed to I stop cold.  More punch, action, decisiveness.</p>
<p> </p>
<p>7. Instead, I steady myself and blurt out the words, changed to My confession tumbles out. Cleaner and crisper.</p>
<p> </p>
<p>8.“. . . and I’m self-published.” changed to “And I’m self-published.”  Ellipsis denote a trailing off and are used at the end of a line of dialogue. Misuse of punctuation.</p>
<p> </p>
<p>As illustrated, every sentence can be a minefield. The above changes were made after I’d tweaked the paragraph many times. Line by line editing is subjective and I suspect no two writers or editors would make the same changes. Still, there are many common mistakes: </p>
<p> </p>
<p>- Redundant nouns, pronouns, verbs, and phrases.</p>
<p> </p>
<p>- Overuse of passive voice construction: was, were.</p>
<p> </p>
<p>- Overuse of adverbs (ly verb), infinitives (to+verb) and present participles (ing verb)</p>
<p> </p>
<p>- Cliches.</p>
<p> </p>
<p>- Complicated tense as in past perfect, had to, have had to, had to have been.</p>
<p> </p>
<p>- Metaphors/similes that miss the mark. </p>
<p> </p>
<p>- Simultaneous action. As/While construction.</p>
<p> </p>
<p>- Profanity.</p>
<p> </p>
<p>- Cause and effect problems.             </p>
<p> </p>
<p>- Continuity issues, i.e.,  Jimmie in one place, Jimmy in another.</p>
<p> </p>
<p>- Weird sentences that, quite frankly, make no sense.</p>
<p> </p>
<p>Line by line editing is fine tuning that will make your writing sing.</p>
<p> </p>
<p>Line by line editing is careful consideration and takes time. But there’s a huge payoff: focusing on small sections of words improves writing ten-fold.     </p>
<p> </p>
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<div class="text">
<p>Linda Lavid is an award-winning author of fiction and nonfiction. Her latest book is <i>Composition, A Fiction Writer&#8217;s Guide for the 21st Century.</i> Reviewed as a &#8220;priceless gem&#8221;, this book discusses the craft of writing fiction and the art of self-publishing.  <a rel="nofollow" onclick="javascript:pageTracker._trackPageview('/outgoing/article_exit_link');" href="http://www.lindalavid.com" target="_blank">www.lindalavid.com</a></p>
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